God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with co-writer/director Sean Baker about his new film, "The Florida Project."
A look at the contenders for Best Actress and Best Supporting Actress this year and how many of them play a historically-beloved role for Oscar, the mother.
A report on some good films coming your way from Telluride and Toronto this year.
The 25 films we're most excited to see during the fall of 2017.
A report from San Diego Comic-Con on sneak peeks at two Netflix original films, "Death Note" and "Bright."
The director of "Tangerine" makes a raucous movie set in and around a seedy motel near Disney World.
A celebration of director David Lynch's filmography in anticipation of an upcoming retrospective at the IFC Center in New York.
Jackey Neyman Jones on "Manos: The Hands of Fate"; "Designated Survivor" mixes Trump and Clinton; "Carrie" at 40; Lynchian women; New gatekeepers of self-expression.
Walter Chaw revisits Oliver Stone's 1981 horror film "The Hand" and explores the director's fascination with nightmares and the uncanny.
An interview with Paul Schrader, director of "Dog Eat Dog."
Laura Poitras's "Risk," on WikiLeaks, and Paul Schrader's "Dog Eat Dog," a noir, have their premieres at the 2016 Cannes Film Festival.
Roger Ebert reviews David Lynch's "Wild at Heart" at the Cannes Film Festival.
A FFC essay on Paul Schrader's 1997 darkly powerful drama Affliction.
A celebration of actresses Jane Birkin and Charlotte Gainsbourg in anticipation of an upcoming series at the Film Society of Lincoln Center in NYC.
An analysis of recent faith-based releases, including "God's Not Dead" and "Heaven Is For Real."
Lists from our critics and contributors on the best of 2014.
An appreciation of Nastassja Kinski, on the occasion of a tribute to her at the Film Society at Lincoln Center from November 27-December 3, 2014.
Oliver Stone discusses "Born on the Fourth of July" with Editor-in-Chief Matt Zoller Seitz at the 16th Annual Roger Ebert's Film Festival.
Is the director's explicit "The Canyons" the nadir of his career—or its climax?
Marie writes: Last week, in response to a club member comment re: whatever happened to Ebert Club merchandize (turned out to be too costly to set up) I had promised to share a free toy instead - an amusement, really, offered to MailChimp clients; the mail service used to send out notices. Allow me to introduce you to their mascot...
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
No favorable review I've ever written has inspired more disbelief than my three stars for "Speed 2." Even its star, Sandra Bullock, started mentioning in interviews her disgust with herself for agreeing to star in it. It's frequently cited as an example of what a lousy critic I am. (Note well: Siskel also gave it thumbs up.) All the same, I'm grateful to movies that show me what I haven't seen before, and "Speed 2" had a cruise ship plowing right up the main street of a Caribbean village.