A soggy, slushy mess.
Matt Fagerholm is an Assistant Editor at RogerEbert.com and is a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. His writing/editing experience includes serving as Assistant A&E Editor at the Columbia Chronicle and a full-time writer at the Woodstock Independent. He is a monthly guest on Vocalo radio's The Morning AMp program, and is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking. Follow him on Twitter at @IndieOutlook.
An interview with actor Michael Cera, star of "Person to Person" and "Lemon."
Matt writes: One of the most acclaimed films of 2017 thus far is Edgar Wright's "Baby Driver," a cinematic adrenaline rush for the ages. It's the best fusion of ingenious car chases and equally imaginative song choices I've seen since "The Blues Brothers," and at RogerEbert.com, we have provided in-depth coverage of the picture, beginning with Brian Tallerico's three-and-a-half star review. Nell Minow conducted a terrific interview with Wright, Nick Allen analyzed Wright's rarely seen first feature ("A Fistful of Fingers") and Diana Drumm explored Wright's identity as "a true cinephile."
Matt writes: July 18th, 2017 marked the 75th anniversary of Roger Ebert's birth. To honor his unparalleled legacy, we have compiled a few of his finest articles into a birthday table of contents. I'd also like to share the clip embedded below of Roger asking Alfred Hitchcock a question via phone on a talk show (thanks to Eyes On Cinema for unearthing the footage on YouTube).
An interview with Ana Lily Amirpour, writer/director of "The Bad Batch."
An appreciation of "The Blackcoat's Daughter"; A letter to my mother; "Happy Campers" deserves classic status; Relevance of "The House is Black"; In praise of "Old Enough."
An interview with Lea Thompson, director and co-star of "The Year of Spectacular Men."
Matt writes: We are certain that Roger Ebert would've been thrilled by director Patty Jenkins' recent record-shattering triumph. Her superhero blockbuster, "Wonder Woman," had the highest-grossing opening weekend for a film directed by a woman, and has earned widespread acclaim from both audiences and critics (including our own). It is only Jenkins' second feature, arriving 14 years after her astonishing debut, "Monster," which was hailed by Ebert as the best film of 2003, containing a performance by Charlize Theron that was dubbed by the critic as one of the greatest in cinema history (Theron went on to win the Best Actress Oscar).
Crying through the fight scenes in "Wonder Woman"; Behind Wonder Woman is a great man; How Patty Jenkins saved DC; Tributes to 1978's "Superman"; Ebert on Jenkins.
Matt writes: The 2017 Cannes Film Festival just came to a close on May 28th, and you can find our complete coverage of the highlights, lowlights and everything in between at RogerEbert.com. Our full roundup of written dispatches from Barbara Scharres and Ben Kenigsberg, as well our video reports from Chaz Ebert, can be located on our Cannes 2017 Table of Contents. You will find our thoughts on the latest work of filmmakers such as Noah Baumbach, Sofia Coppola, Michael Haneke, Michel Hazanavicius, Todd Haynes, Bong Joon-ho, Yorgos Lanthimos and Lynne Ramsay, as well as our coverage of the Netflix controversy that engulfed the Croisette.
Brad Jones on "Jesus, Bro!"; Period episode on "Anne With an E"; Perils of writing while female; In defense of radical transparency; Trump praises Rodrigo Duterte.